I'm going to take a slightly different approach from the other posts and simply write about new technology that I think is pretty cool. Last.fm is a website that aggregates music play across the internet using interestingly-titled Audioscrobbler technology (the service was first available on audioscrobbler.com). Part Friendster/Myspace, part Nielson Ratings, Last.Fm essentially tracks what music its registered users listen to on their computers via a plug in that works with Winamp, Windows Media Player, iTunes, etc, tracks that users play through a user profile, tracks artist and song play across the network and links "similar artists" based on usage rather than editorial opinion. You can search for your favorite band, see how many plays they have across the network, see which of their songs get the most play, see who their biggest fans are (by usage), see who has similar musical taste to yours (listed as your "neighbours") and add those folks as friends.
The value of this application to record companies and bands is pretty tremendous now that unit sales and radio play are such incomplete metrics. Last.fm is especially useful as a buzz tracker for blog hype-driven new acts like the Arcade Fire, Bloc Party and Clap Your Hands Say Yeah! whose success is difficult to capture in record sales, video rotation or conventional radio play. There are a bunch of forums although the main community action seems to be based mostly in the charts and the "similar artists" lists. For users, especially new music early adopters and obsessive music geeks, it's a clean, uncluttered (a la the Google school of UI design), unspoiled (so far there doesn't seem to be commercialized "placements" of songs or artists to ruin the party) and utterly engrossing community technology/site. Like usenet newsgroups (rec.music.pavement anyone?), internet radio, blogs, Myspace, & podcasts before it, Last.fm is a cool usage of web-based technology for devout, adventurous listeners.
As a newish technology/website there are obviously some warts: the site is often slow or offline as the company presumably rushes to upgrade its infrastructure to handle the traffic and data crunching and the data integrity is reliant on properly tagged mp3, which most people don't know or care about much less maintain. Plus, with no indication on what the technologies penetration level actually is, its hard to project how popular an artist or song is in absolute terms. Still, it's awfully cool and engrossing (to me anyway).
I remember how exciting it was to surf through Friendster (oh summer of 2003, where have thou gone?), silently judging what people listed as their favorite music, movies and books. With Last.fm I can check actual usage metrics and see who's listening to what and how often. With Friendster, you can claim that you're into Sonic Youth or Neu! in an attempt to gain hipster brownie points but with Last.fm you can't hide your listening habits. There needs to be a literary equivalent just to see how many people actually read Infinite Jest vs. how many people make the claim to appeal to the NPR/record store clerk set.
If you look in the
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